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Trainspotting, by Irvine Welsh
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Amazon.com Review
Irvine Welsh's controversial first novel, set on the heroin-addicted fringe of working-class youth in Edinburgh, is yet another exploration of the dark side of Scottishness. The main character, Mark Renton, is at the center of a clique of nihilistic slacker junkies with no hopes and no possibilities, and only "mind-numbing and spirit-crushing" alternatives in the straight world they despise. This particular slice of humanity has nothing left but the blackest of humor and a sharpness of wit. American readers can use the glossary in the back to translate the slang and dialect--essential, since the dialogue makes the book. This is a bleak vision sung as musical comedy.
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“The language in Trainspotting is... exhilarating once you get the hang of it, and finally poetic in its complications.... Literary in the best sense, using language at every level to tell a story.†- Jane Mendelsohn, New Republic“Blisteringly funny.... Don't abandon everything for the movie. It's worth making the effort with Trainspotting not merely because relatively few writers have rummaged through this particular enclave of British youth culture, but because even fewer have dug there so deeply.†- New York Times Book Review“It is funny, unflinchingly abrasive, authentic, and inventive, unerringly on―and off―the pulse. It is a true cult, the kind of novel you press on perfect strangers. It validates a world fiction hasn't recognized before.†- Times Out“Irvine Welsh writes with skill, wit, and compassion that amounts to genius. He is the best thing that has happened to British writing in decades.†- Nick Hornby, Sunday Times“Irvine Welsh may become one of the most significant writers in Britain. He writes with style, imagination, wit, and force, and in a voice which those alienated by much current fiction clearly want to hear.†- Times Literary Supplement“Irvine Welsh is the real thing―a marvelous admixture of nihilism and heartbreak, pinpoint realism (especially in dialect and tone) and almost archetypal universality.†- David Foster Wallace
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Product details
Paperback: 348 pages
Publisher: W. W. Norton & Company; 1st American ed edition (June 17, 1996)
Language: English
ISBN-10: 9780393314809
ISBN-13: 978-0393314809
ASIN: 0393314804
Product Dimensions:
5.5 x 0.9 x 8.3 inches
Shipping Weight: 10.6 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
188 customer reviews
Amazon Best Sellers Rank:
#59,072 in Books (See Top 100 in Books)
This is such an amazing story and I would definitely recommend it to anyone who is a fan of the movie, or dark stories full of many characters. I'm sad that I discovered the existence of this story after watching the movie, but it's still amazing. For those who don't speak Scottish slang daily, there is a helpful guide in the back that has saved me numerous occasions while reading this story.
First of all, I’m an American reader. I have to say that even though the English in this book is not what I’m used to reading, I can still follow it pretty well. I haven’t yet finished the book...almost to the end. It’s an incredible read. It really takes me on a journey into the life of a junky in Scotland. I made a conscious effort to read this before watching the movie. I would totally recommend this book to people...just be warned that it isn’t the happiest of stories. One last thing, the glossary in the back of the book is somewhat amusing; when I first got the book and saw that it had one, I had to say that I chuckled a bit! Great read though! Kudos to the author!
Irvine gets into the lives of Scottish addicts and the filth and squalor they habituate in. It is more of book of short stories that are told from different character's perspective; this can be quite confusing for the reader as each chapter, one is trying to figure out who's narrating. You will need some patience as you will struggle with the Scottish dialect. The movie, has more a story to it then book. Not an easy book to read.
I bought a copy when it first came out. Love the Scottish (Edinburgh) vernacular; great stuff...the best one. All the subsequent books aren't so good.
Irvine Welsh is, hands-down, my favorite author. Years ago, I saw "Trainspotting" in the movie theater and definitely thought it was a unique piece of cinema that was worthy of acclaim. The book upon which it is based, however, is one of the most creative forays in fiction that I've ever encountered. It's engaging, hilarious, profane, disgusting and riddled with drugs, drunks and bad behavior, not to mention rich with fascinating characters. Welsh is a literary genius. You'll definitely learn how to talk like a Scottish guy from the schemes when you read this. A real page turner, despite the challenging vernacular that Welsh employs. Enjoy.
If you ever told me I'd cry reading this book, I'd be like, what? I've seen the movie, you see, a long time ago. But I did. I cried like a baby. I cried at a part in the middle of the book, the part that starts off the movie, the famous words of "Choose life. Choose…" Well, in case you haven't read the book and haven't seen the movie, you'll get what I mean, once you do both. I'm actually about to jump into re-watching the movie again, now that I'm done reading. And, WOW. Just, WOW. This is not prose, this is poetry, a powerful cocktail of juxtaposition, Scottish profanities galore injected with searching for the answer to this persistent question. Why live? Why go for hypocrisy, for squalor, for stark morose grim existence of the so called life if we're all going to die anyway? Why not get on the needle and not bother about anything, basking in that mythology of everything will be just splendid? There are so many layers here, I feel like I only started digging. And then, of course, I don't think I can read proper English after this, after indulging on phonetically spelled Scottish awesomeness, on top of it, me being not a native English speaker. It's a feast.Well, so the story itself is a maze of episodes taken from the lives of junkie mates and their friends, narrated primarily by Rents, or Mark Renton. We jump back and forth between scenes of scoring drugs, injecting drugs, withdrawing from drugs, getting on drugs again, all the while revolving around everything that goes with it, HIV infections, sex, violence, death, neglect, you name it, everything under the sun is here, and more, the constant background of moral choice against pure survival. Which outweighs which? We get to see several different perspectives of different characters, most of them colorfully doused with all kinds of human liquid, like puddles of urine, vomit, feces, blood, and everything in between, with rare glimpses of love here and there and this strange soberness that causes them to look up and realize what hole they've sunk into, but only for a moment, before returning back to the needle. The power of language is such that when you raise your head to catch a breath from reading, you're disoriented for a while, not sure where you are and how you got there. The only wish I had was to get back into the book, annoying those around me, perhaps because the topic rung true to me. I've never been on drugs, but I've been suicidal, and maybe that's why I cried. I felt this desire to destroy yourself behind the rage, the anger, the need to escape it all, for not being accepted, for being lonely, for being so numb that the only way to feel something was to get high. You know it's an illusion, but you don't care. Anything goes. it hit me in the gut, this book, and it will hit me again and again, as I plan to reread it. Now I'm off, watching the movie, and I hope you're off to read this book, because you bloody have to.
Read this almost twenty years ago and loved it. Read it again recently and still loved it, though I am no longer a jaded and nihilistic teenager.
A wild insight to heroin addiction and bad behavior. Deeply engrossing,, highly entertaining. After you get into the rhythm of the jargon, easy to understand.
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